Metropolitan Cathedral Of Christ The King Liverpool

my favourite place to just go and sit when anything is troubling me. I'm not a particularly religious person but there's such a feeling of peace and tranquillity here that i come away feeling calm and ready to deal with the world again.
Particularly worth a visit on a sunny day just to stare at the stained glass dancing about - beautiful x

Architects throughout the world were invited in 1960 to design a Cathedral for Liverpool which would relate to the existing Crypt, be capable of construction within five years, cost at the current prices no more than one million pounds for its shell, and most important of all, express the new spirit of the liturgy then being radically reformulated by the Second Vatican Council.
Of 300 entries from all over the world, Sir Frederick Gibberd's (1908-1984) design was chosen, and building began in October 1962. Less than five years later, on the Feast of Pentecost, 14 May 1967, the completed Cathedral was consecrated. The Papal Legate at the consecration, most appropriately, was His Eminence John Carmel Cardinal Heenan, Archbishop of Westminster, who had been succeeded as Archbishop of Liverpool three years earlier by George Andrew Beck.
This is an exceptional building, completely different from the Anglican Cathedral, which was started to be built in a different time. People who say this Cathedral is ugly have obviously never been inside it on a quiet sunny day. A must see for any visitor or resident of Liverpool.

This is a magnificent building. I am not a religious person, but I am inspired by exceptional craftsmanship and this cathedral has it in spades. If you take a visit for one of the many exhibitions they hold, take time to tour the utterly modern interior of the church itself, but better still, find a guide and ask for a tour of the crypt which is completely gothic by comparison. The two halves of the same building are derived from totally different plans. An excellent way to spend time.

This can be a really lovely place to visit, it always feels calm and serine.

This is a beautiful building which does a fantastic lunch in the cafe.

Stunning, stunning place with glorious turret of stained glass and much to see in the small side chaples. Interesting exhibition of the cathedral’s building, history and development. The Crypt is at present, until 18/jan/09 hosting a rare exhbition about artitect Le Corbuiser, very interesting and visually challenging if you are into that type of thing. I learnt lot and desovered many more examples of his work than i was aware of.

A fantastic building, and a really interesting place of worship. I accept that the building itself is not everyone’s cup of tea, but it’s certainly thought-provoking; and on a sunny day the patterns made by the light shining through the stained-glass windows at the top are stunning. I love the fact that Liverpool’s two Cathedrals are so different -- it almost seems to say “Whatever you’re looking for, you’ll find it here”, which is an excellent message for any city to be able to give. If you have chance, visit both: and walk down Hope Street (which links the two) -- time out to reflect is rarely time wasted.

The Metropolitan Cathedral is truly one of the most spectacular in Liverpool. It was actually recently voted one of the ugliest buildings in Britain, proving that beauty really is in the eye of the beholder. It stands so tall and proud, looking over the city like a watch tower. It is a very interesting place to look around, both inside and out. The cafe also does tasty food.

The wigwam, Liverpools Roman Catholic cathederal, situated at the other end of Hope Street from the Anglican cathederal is, on a sunny day, the most stunning place you will ever visit. The light cascades down from the tower and there are dancing lights surrounding you. It is quiet and reverant and not at all touristy - it is a place of worship that pays testament to mans ability to create beauty.

The Catholic Cathedral is something I see on my way to College every day, but I am still amazed by it. I think that it is a wonderful place to go, with family or friends, providing you’re quiet (if you weren’t, you wouldn’t feel the full effect of the cathedral.) I’m not Catholic myself, but it is such a warm and welcoming place. You don’t have to be religious to go there, and there is a feel about it that makes you want to go back. The glass windows and amazing structure of the building s something Liverpool can be proud of.

The interior of the Metropolitan Cathedral is like the inside of the Starship Enterprise or some comparable sci-fi contraption, especially on a sunny day when the light pours in through the stained glass. It’s a fascinating, magnificent example of 20th-century architecture, and surprisingly hasn’t dated, despite being quite sixties-ish in design.

The main sanctuary is surrounded by smaller chapels, each of which has a unique character. There are plenty of interesting examples of sculpture, artwork and design throughout.

I always find the atmosphere in there to be tranquil, contemplative and reverent, and it’s certainly the place to go if you want to sit and pray, meditate or reflect for a while. The Anglican Cathedral down the street, while beautiful in its own right, is a bit more touristy.

A very modern Cathedral but is magnificent.

Unique! The stained glass crown is amazing on a sunny day, casting all of the colours onto the floor, altar and benches. A beautiful Cathedral and only a stones throw from the Anglican - equally well worth a visit but totally different!

Very interesting space shape cathedral.
The staff were very friendly and offered me a Japanese leaflet!
I took my friends and they were surprised the design too.
I like to go both cathedrals and you can find both charm !

In pre-Reformation days Liverpool had no Cathedral. It belonged for several centuries to the Diocese of Lichfield, or Lichfield and Coventry, until, at the Reformation in the time of Henry VIII, it came under the newly constituted Diocese of Chester.
After the Reformation the Roman Catholic religion was proscribed and could only be practised in secret. It was not till the restoration of the hierarchy in 1850 that the normal structure of dioceses was re-established for Catholics. The first Bishop of the new diocese of Liverpool was George Brown, until then Vicar Apostolic or administrator of the Lancashire District of the Catholic Church in England. His Co-adjutor or Assistant Bishop was Alexander Goss.
As a young priest Fr Goss had been a teacher and subsequently Vice-President at the junior seminary for the training of priests which had been set up in 1845 within the walls of one of Liverpool’s older mansions, San Domingo House. Built by a successful merchant, this stood on a ridge in Everton, commanding a view of the north docks, the River Mersey and the Wirral peninsula.
The Catholic population of Liverpool increased dramatically following the Irish potato famine in 1847, and the restoration of the hierarchy gave Catholics a new status and feeling of confidence. It was no surprise, then, that Co-adjutor Bishop Goss saw the need for a Cathedral. He also saw the ideal site in the grounds of the College at Everton.
The commission to design a Catholic Cathedral for Liverpool was entrusted in 1853 to Edward Welby Pugin (1833-1875), son of Augustus Welby Pugin, foremost architect of the Gothic Revival, who had died in the previous year. The design was a bold one dominated by a massive central steeple. Within three years a usable portion of the building was completed in the form of the Lady Chapel, with an entrance built into the surrounding wall of the College. There it stood for over a century, serving as the church of the local parish of Our Lady Immaculate until the 1980’s, when, weather-beaten and structually unsafe, it was demolished.
Meanwhile the attention of the diocese was concentrated on more pressing needs - parish churches, schools, orphanages - as the Catholic population increased apace.
Sixty-six years were to pass from the completion of the Lady Chapel, covering the notable episcopates of Bishop Bernard O’Reilly and Archbishop Thomas Whiteside, before the idea of a Cathedral was mooted again. It was, however a period of steady expansion and consolidation. In civic terms Liverpool became a city with a Lord Mayor, and ecclesiastically an Archdiocese and Metropolitan See.
It was in 1922 that the second Archbishop, Frederick William Keating, held a consultation to find a suitable memorial to his predecessor Archbishop Whiteside. The idea of a Cathedral was reborn, and in the six short years before his death £122,000 was subscribed. The promoters favoured a plan of delaying the building until sufficient capital was on hand to go forward without interruption, and so it was left to the next Archbishop to translate hopes into reality.
Doctor Richard Downey made a tremendous impact on his appointment as Archbishop in 1928 at the age of 47. His native wit, remarkable eloquence and keen mind soon won for him friends in all sections of the community. Catholics rallied to his leadership with unparalleled enthusiasm. Proof of this was seen within a year of his consecration when 400,000 Catholics assembled at Thingwall Park to celebrate the centenary of Catholic emancipation. It convinced the Archbishop that the time was ripe to build.
A suitable site seemed to suggest itself on Brownlow Hill. The Poor Law Institution or Work House there had been a shelter for Liverpool’s destitute from 1771 until 1928 when the revision of the Poor Laws brought the property on to the market. In 1800 one thousand inmates had been on its register, in 1900 over 4000, of whom over half were Catholics. Many of them were Irish people driven from their own country by famine. In 1930 the diocesan authorities purchased the nine acre site for £110,000. Sir Edwin Lutyens, famous for his palatial country houses, memorials to the fallen of the First World War (including the Whitehall Cenotaph) and the monumental Viceroy’s palace in New Delhi, was chosen as the architect for the new Cathedral and three years later the foundation stone was laid, on Whit Monday, 5 June 1933. At the suggestion of Pope Pius XI the new Cathedral was to be dedicated to Christ the King.
Sir Edwin Lutyens (1869-1944) was commissioned to design a Cathedral to contrast with the Gothic gem of Sir Giles Gilbert Scott which was rising at the other end of Hope Street, where building had started in 1904. The central feature of his design, he decided, was to be a great dome 168 feet (51 meters) in diameter with an internal height of 300 feet (91 meters). The nave and aisles would consist of a series of barrel vaults running at right angles to each other. The High Altar would be twelve feet (4 meters) above the nave floor and a total of 53 altars would line the nave and transept, apses and sacristies. The height from the lowest step of the Western front to the top of the lantern would be a colossal 520 feet (158 meters). (By comparison, the tower of the Anglican Cathedral rises to 330 feet ( 101 meters)).
Inside the West Porch would be the narthex - 'a great space’, wrote Lutyens, 'which it is proposed shall be open by day and by night, without let or hindrance, and kept warm - a spiritual sanctuary for those cold and destitute.’ He might have added that it would be a link with the purpose of the site in the past. Building of the Crypt went on apace until 1941 when the war years brought the cessation of building, but the fund happily consolidated. In 36 years it had risen to £934,786 of which a little less than half had been expended. After the war the Crypt was completed and remains part of the present Cathedral, a magnificent fragment of what might have been. But the grandiose romanesque super-structure, whose main entrance arch could have contained the nearby University’s tower, was now costed at an impossible £27 million. Once again the dream was threatened.
Doctor William Godfrey, himself Liverpool born, became Archbishop of Liverpool in 1953. It fell to him to make the decision to reduce the project to realistic proportions.
Adrian Gilbert Scott, brother of the architect of the Anglican Cathedral, was commissioned to scale down the Lutyens plans, keeping the massive dome feature, but with a budget of some £4,000,000. But the project meet with heavy criticism and before work could begin Archbishop Godfrey had been translated to the See of Westminster and John Carmel Heenan succeeded as Sixth Archbishop of Liverpool.
Even more drastic measures, thought Doctor Heenan, were necessary if the Catholics of Liverpool were to achieve the realisation of Archbishop Downey’s dream slogan 'A Cathedral in our time’. The problem was to be thrown open to competition.
Architects throughout the world were invited in 1960 to design a Cathedral for Liverpool which would relate to the existing Crypt, be capable of construction within five years, cost at the current prices no more than one million pounds for its shell, and most important of all, express the new spirit of the liturgy then being radically reformulated by the Second Vatican Council.
Of 300 entries from all over the world, Sir Frederick Gibberd’s (1908-1984) design was chosen, and building began in October 1962. Less than five years later, on the Feast of Pentecost, 14 May 1967, the completed Cathedral was consecrated. The Papal Legate at the consecration, most appropriately, was His Eminence John Carmel Cardinal Heenan, Archbishop of Westminster, who had been succeeded as Archbishop of Liverpool three years earlier by George Andrew Beck. The long waiting was suddenly over.
Whatever your faith it is well worth a visit as is our other cathedral along Hope Street but that’s for another review.